Based on his grandmother's tale related to him during his
childhood, Pereira
weaves a bizarre tale of religious intolerance and revenge. It begins
well with a vivid description of the raid of the tribal palace in Yehoor Hills,
a remote jungle area in coastal Maharashtra .
The Portuguese, having made Goa their
base of religious and political activities, are looking for fresh converts to
their religion. At the behest of their king, who wants to expand trade
routes across the region, the military and religious leaders head off on a
quest of finding, subduing and converting the heathen masses.
Aiding them in this particular venture, is a recent native
convert, who betrays the very kingdom and its people that had provided for his
welfare in the past. There are gory descriptions of torture - rape, body
parts being dismembered, people being threatened, persecuted and killed - only
to encourage them into accepting the 'religion of peace'. While the
military leader is direct in his approach of torture, the Father in charge of
showing the tribal people the light, is more docile, but equally fanatical and
bigoted in his mindset. So much so, that when the dead princess of the
kingdom comes back as a spirit to avenge her rape and death, he sides with the
devil himself to annihilate her spirit!
Up until the death of the princess and the brutal
conversion of the tribal people, the story is engaging. However, when the
revenge bit starts, it meanders along, with the princess' spirit vacillating
between seeking revenge and pardoning the perpetrators. The revenge
itself, one can't help feeling, is inadequate given the heinousness of the
crime committed, and moreover, unsuccessful! The princess is impaled on a
huge spiky cactus by the Bishop and the spirit of her spirit (!) is condemned to
a bottomless pit.
The gods sitting on Cloud 1777333999 - no, its not a phone
number - hug each other and vow that the princess would return to seek her
revenge! What was she doing until now?!? Is this an attempt at
keeping the options open for a sequel? As though getting your head round
things such as supplicating lions, human bodied 'spirits', sexual romps, a
wheel-less flying chariot driven by lions, gods joining hands on clouds, and
pagan exorcism rituals was not enough!
If however, you are into fantasy, able to suspend
disbelief, and willing to accept the workings of the writer's fervid
imagination, you may well enjoy the tale.
The narrative is punctuated (or not!) by several
grammatical and spelling errors. There is generous use of the 'f-word',
which makes one wonder if the sixteenth century Portuguese were aware of the
word, or had an equivalent of it in their language. There are also plenty
of annoying compound phrases, such as 'subjects-of-conversion',
'one-day-humans' and 'fighting-colonel-turned-fighting-brigadier', which mar
the narrative.
Having said that, the real winner in this work is the theme
on which it is based. It must have taken a lot of guts and gumption on
the part of Pereira - himself a Christian - to write
a story on the brutal nature of conversions in sixteenth century India . In
today's pseudo-secular environment, when every wrong doing of those not of the
majority faith of the land - whether in the past or the present - is brushed
under the carpet, here is a story that exposes the hypocrisy, bigotry, and
fundamental nature of early Christian evangelism.
As this issue has been overlooked for so long, it continues even today, though the
means of achieving it has changed from brutal force and persecution to covert
influence and temporal allurements. Full credit to Pereira for
bringing this issue out into the public domain, at the risk of inviting wrath
from the upholders of proselytism and conversions.
Image source: https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1356973638i/17193270._UY630_SR1200,630_.jpg
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